![]() Fine-tuning the shadows, midtones, and highlights is done by adjusting the line specific to the points. In this video we will take a look at Final Cut Pros balance color feature, and how you can use it to automatically correct the color and exposure in your clip. Unlike the other options so far, Color Curves use lines to adjust the primary colors and luma of the video. Adjusting the tint to the left introduces more green and moving it to the right introduces more magenta.īy rotating the hue control, you can shift the entire spectrum of hues in the image, which is useful if you need to change all the colors at the same time instead of changing them one at a time. The clip you want to apply the effect to and an empty viewer that will show where your cursor is positioned. In the media viewer, you will now see 2 views. At the bottom of the media viewer, select the Magic Wand drop-down menu. Moving the temperature control to the left introduces more blue or colder tones while adjusting it to the right introduces warmer yellow and red tones. Select the clip you’ll be applying the Color Match effect to. The Color Wheels option also adds temperature, tint, and hue adjustments, so you don’t have to open separate menus. Here’s an example of video shot on a digital camera. 709 color space, it does not automatically limit video. ![]() NOTE: While Final Cut automatically limits white levels to 100 IRE for text, generators and colors in the Rec. Final Cut Pro manages color space settings automatically, so you can easily edit HDR and SDR clips in the same project, or mix different types of HDR clips in a project. And, you can make finer adjustments to each of the four wheels by entering specific number values on the sliders below. Which means that we need to correct these levels keep them legal during the editing or color grading process. With the bars on the side of each wheel, you can adjust saturation and brightness. ![]()
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